", Odar mentioned that it was a children's book on quantum physics that finally made it all make sense to him sort of. Odar revealed on his Instagram in a behind-the-scenes featurette that filming for the series took place in a newly custom built virtual production stage known as the Volume. Movies. Although the show begins as the story of international immigrants on a steamship headed to America at the turn of the 20th century, by the end of the season we learn that the ship was a simulation, and our protagonists are actually on a spaceship in the year 2099. Im still not sure about the percentage, but its probably 10 percent [of the mysteries] we are not goiong to answer just for the fun of it, but they will be smaller. What kind of trigger words do you use? "In every season there is what I always call a bridge. There were some really tough choices to be made, especially in the in the editing room. We want to know where we are going. We realized that was insane to do on costs. One was we didnt want to do it and we were kind of pressured into it. It's a highly rewarding if not particularly easy viewing experience, being at times hilariously confusing, especially if you're not a German speaker and are busy reading subtitles while new faces appear on screen. Everything is planned in that one holy book. I think we we focused on the stuff where we just personally felt it adds to the overall mystery and we need to deliver the ending. Then they were: No, no, we love it.. In the series, a boy goes missing in the small German town of Winden, and as the series unspools, viewers learn that secrets, time travel, and a metaphysical battle between good and evil are behind that mystery. Why dont we have that?.
Something Is Killing the Children Netflix TV Show in the Works - The Most people dont understand, that, because theyve never used it. ", Odar explained that, if you're looking to keep track of everything, follow the symbols. Odar says there were two reasons why they opted to use this new technology, which has been used previously on shows such as Disney+'s The Mandalorian. We asked creators Jantje Friese and Baran bo Odar as many of those questions as we could. All Rights Reserved. Jantje Friese was born in 1977 in Marburg, Germany. ", Someone at Netflix mentioned the volume tech, and Odar and Friese were very impressed by how it looked. We can see that even if you dont really understand what words are being spoken, you understand what the other person is trying to communicate. For me, its a very happy ending, realizing its not just about you all of the time. Thats where we basically put the groundwork, going for deterministic time travel rules. The success of that show enabled Odar and Friese to tell the story they wanted to tell over three mind-boggling seasons, and also provided a bit of a blessing and a curse when it came time to work on 1899. The series certainly promises to be as mind-bending as Dark. We know people will be going insane about it, but we always knew this would be our answer: we dont have an answer, because we do not know if theres a god or not. Teases Friese, "There's definitely a core theme in the center of 1899, as well, and it's basically looking at that core theme through a narrative, but it's not time travel. I love that theres so much fan fiction out there. The ultimate example of that is Season 2s epic revelation that police chief Charlottes (Karoline Eichhorn) mother is actually her daughter Elisabeth (Carlotta von Falkenhayn) through more time travel shenanigans. 1899, which made the TIFF Primetime Program "I think we created a very small world, to be honest, on Dark. You dont need to see it on screen. Thats crazy because that like, usually you have to look for for nose [physiology] because thats the most [obvious] pointing thing.. (Seriously, if someone can please step in and explain the Elisabeth / Charlotte Doppler effect, slide in right here.). Back in 2020, Jantje Friese revealed in an interview that Tyll is planned as a six-part miniseries: "Tyll by Daniel Kehlmann is designed as a six-part mini-series. This, this Volume technology, is the beginning of a new era of visual effects.
And then, looking at expression and body language, and all these things, you get an understanding of the performance. Im in there with a recording of violins theres also some guy using an arc welder in the next cabin.. [The German meaning is closer to unlikely to succeed.] When we got the notes back from Netflix on Dark, they said: Such an ambitious project. We thought they hated it. [1] Work [ edit] Jantje Friese studied production and media management at the University of Television and Film Munich. To be honest, we had them all in these pods; they couldnt move. This Article is related to: Television and tagged Dark, Jantje Friese, Netflix, TV Interviews. Subscribe for full access to The Hollywood Reporter. Because Im a very traditional filmmaker; I like to give the actors a lot of space and not limit them by saying, We just have this angle. You just trying to be flexible, to really allow the process to surprise you while youre going through it, but still kind of knowing where youre sailing to. That, for us, is a metaphor. We really try to be very true to our core audience, which just loves puzzles but also knows every code and every cultural reference. Thats the beauty of storytelling. This series, like Dark, is a huge mystery, a mystery wrapped in an enigma. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. And thus, fans of this science fiction series can be found discussing Nietzsche and other philosophers, trying to unlock the shows themes of free will and fate, alongside the physics of time travel. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. Sign Up: Stay on top of the latest breaking film and TV news! And.
'Dark': Creators Jantje Friese and Baran bo Odar - IndieWire bo OdarI think we learned a lot to be honest, because it is a new tool. You have to open doors with your left hand. How composer Ben Frost creates dream-like sound design. To create an illusion that the virtual space is a three-dimensional space its fascinating. It always sounds to people like its easier to do a last season when you know where you going. Do you wish there were more than three seasons to explore the story? You really had a problem letting go, I think, Friese added., Yes. We always think we have to answer everything. When you write, how do you plot things out? Dozens of questions swirling around your brain about what actually happened? People are constantly moving in the frame than rather the very stiff mise-en-scne we used inDark. Stay on top of the latest breaking film and TV news! We wanted to make sure we got there. Anything else would have felt like stretching it unnecessarily and making it more complicated on a narrative level. 1899s full eight-episode first season streams on Netflix starting Thursday. It was a set constructed specifically for the series. What happened in that period is that modernism clashed with old beliefs.
Dark creators tease the mysteries behind their new Netflix series 1899 They would need to completely crash. That's what we tried to do. No, I didn't,'" he said. In the first season ofDark we still had stuff on the walls, but no one ever looked at it. Dark is a show that certainly invites a certain kind of theorizing. It always comes down to some kind of programming they had before them that you cannot choose because you cannot let go of the stuff that happened before you. ", Friese says she was bothered by this for the first few months actively working on the scripts for 1899, but, "At some point, we just said, 'Let's shake it off.' bo Odar:Yeah, they really didnt understand each other. When the series was first revealed, early reports described the genre as horror, but Friese says that's not really accurate. That was actually very difficult to have a big enough pool of women to choose from, which I thought was quite sad.. But of course, movies likeThe ShiningorAlien, where you have a contained situation like a ship or hotel where people are stuck and they cant escape it, that creepy feeling of corridors and how much you can see or not see, that was definitely a major influence visually. Having watched the first six episodes [of1899], it appears to be a bit less complicated thanDark. "I gave that to a couple of actors and they all had the same experience. "It's definitely an association that a lot of people have," Friese says. Friese and bo Odar spoke to The Hollywood Reporter about how the European refugee crisis inspired the show, designing meta-puzzles for hard-core fans and why Volume technology represents a new era in visual effects. After that, it goes straight to the computer. Two weeks after the release of Season 1, I was on Twitter honestly 24 hours a day. How did the script work did you write in German and then have things translated? Literally, it's bad. The international cast worked on one of the biggest virtual stages in the world. Its really weird and interesting technology, but its very helpful for the actors. [Note: The following interview discusses Season 3 of the Netflix series Dark.]. If they are right-handed, they had to act with their left-hand, though it would appear as though they are right-handed. Can we change anything? I always loved that idea. Did the worldwide success and fan response toDarkchange how you went about making1899? Doors that used to be on the left side, were on the right side, Odar said. And the older they get, it gets worse, said Friese. Friese knows the reason for his injury and eye patch, but wouldnt reveal what happened. So with every project we did, we, we always had that in mind that one day we want to reach a global audience., After the 2014 film Who Am I No System Is Safe, a techno thriller thats been compared to Fight Club and Mr. There were lots of right-wing ideas bubbling up. And I dont want to spoil the meaning of that yet. We already have ideas for a second and third season on 1899, and it gets complicated. That was the thing Claudia wanted to achieve. So, yeah, that was my personal gift that I wanted to give, but obviously still trying to be entertaining while giving it.. Whats the space in which youre telling your story? So hopefully, ultimately, that is happening. Odar:Every episode [when] someone wakes up, you hear almost like a computer voice. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. The Best 36 LGBTQ Movies and TV Shows Streaming on Netflix Right Now If you just compare the first season ofDarkwith the first season of1899, I think theyre similarly complex. Then, of course, just like in Dark, we have a big philosophical theme at the center of it all about perception and reality. When you work with time travel, you basically have to decide on one concept. There was something fascinating about exactly that moment in time. Well, then how ambitious are you with this series? Friese: It was one of the things we always wanted to do. Friese: Some people have already found a lot of the imagery and paintings we used [throughout the series].
Netflix Unveils Latest Trailer For 'Dark' Creators' '1899' - Deadline Jantje Friese and Baran bo Odar discuss what they kept from set and the difficulty of letting go once filming on the series ended. "Because there are so many layers of science philosophy and metaphysics and spiritual stuff, and it was quite interesting to see that they are all actually talking about the same thing, just from different angles. But the novel is so voluminous that the miniseries format makes more sense." Sign up for our Email Newsletters here. For an ensemble this vast, its almost impossible to give each person a dedicated farewell. Need help finding something to watch? And because of that tone, you understand how the whole sentence is meant. Andreas Pietschmann plays Captain Eye Larsen in 1899. Were hinting at that in the first season all the time that its a circle. We werent 100 percent convinced that we would get people [away] from the second screen and actually take the time and investment to watch whats going on. I think its great. At the same time, the refugee crisis was happening in Europe [around 2015/2016] and it was a very unstable phase. One of the most challenging roles to cast was the nurse Ines who actually adopts Mikkel when he travels back to 1986. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says.
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